No. 108 (2023): Art and Architecture Conservation Training in Europe: Relevant Experiences and Mastering Conservation Methods

Articles

• The Use of TRI-Funori® as a Binding Medium for Chromatic Reintegration in Contemporary Unvarnished Paintings

  Marta Aleixo, Ana Bailão

  17-33

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• Conservation of Banners with Double-Sided Oil Paintings: An Experiment on the Assembly of Separately Restored Pieces

  Milda Tičkaitė

  34-54

  • PDF

• From Restoration to Attribution

  Rūta Nazaraitė

  55-77

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• The Conservation Study of a Funeral Coat of Arms (huvudbaner) with a Focus on Cleaning and Consolidation Acta Academiae Artium Vilnensis

  Angela Caira Uzcategui, Anastasiya Serdyukova, Ana Vega Ramiro

  78-100

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• Overpaint Removal from Polychrome Wood Artwork: Lithuanian Practice in the European Context

  Aušrinė Dambrauskaitė

  101-125

  • PDF

• Conservation and Restoration of Two Candleholders from Kaunas Church of St. George the Martyr: Reconstruction Proposals

  Ramunė Balandžiūnienė, Erika Vilkinytė, Raimonda Žukauskaitė

  126-144

  • PDF

• Study of Original Painting and Gilding Technology on a Nineteenth-Century Terracotta Sculpture

  Agata Ogińska, Piotr Niemcewicz

  145-157

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• Challenges of Conservation and Restoration of a Medieval Wall Painting in the Church of Saint Leonard in Mala Ligojna and the Question of Its Authorship

  Eva Marija Fras

  158-191

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• Wooden Mezzanine House in Užupis, Vilnius: Gains and Losses of the Restoration Process

  Giedrė Filipavičienė

  192-220

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• Kaunas Interwar Cafes and Restaurant: Feasibility Study and Proposals Regarding Restoration and Revival

  Rugilė Bružaitė

  221-240

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• A Nineteenth-Century Industrial Area in Kaunas’s Naujamiestis: Analysis of the Development and the Concept of Regeneration

  Rasa Saltonaitė

  241-265

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