Ambivalences of Care/Curare: Solidarity Networks and Curatorial Practices as a Form of Collective Resistance

Authors

DOI:

https://doi.org/10.37522/aaav.118.2025.312

Keywords:

curatorial work as care work, preserving artworks, Ukrainian art, feminist curating, Asortymentna Kimnata

Abstract

The paper seeks to redefine curatorial practices through the lens of care and solidarity, particularly in times of war. By examining the ongoing work of Ukrainian artists and curators, the authors aim to highlight how curating, as a practice of care, can serve as a vital tool for preserving cultural heritage, fostering community, and resisting geopolitical violence. By positioning curatorial care within the framework of solidarity, the contribution explores how curating can act as a form of collective resistance and survival. In this context, curating is no longer just about representing art but also about protecting and sustaining it in times of crisis. The feminist dimensions of this discussion further emphasize the need for curatorial practices that are attentive to the social, economic, and gendered contexts in which they operate.

Author Biographies

Friederike Nastold, Institut für Kunst und Visuelle Kultur Carl von Ossietzky Universität Oldenburg

is an artist and art historian. She is Junior Professor of Art History with a focus on gender studies at the Institute for Art and Visual Culture at Carl von Ossietzky University of Oldenburg, and Deputy Director of the Center for Gender Studies (ZFG) in Oldenburg. Her research interests include art and visual culture studies, gender and queer studies, new materialism, and affect theory. Most recently, she co-edited the fourth issue of INSERT art journal, titled Dis/sense in der Anthropozänkritik (2023).

Thari Jungen, Abteilung für Ästhetik und Pragmatik audiovisueller Medien, Kunstuniversität Linz

PhD, is an artist and art theorist. She researches and teaches as a university assistant (postdoc) at the University of Art and Design Linz. Previously, she also taught the history and theory of visual cultures and artistic research at the Weißensee Academy of Art Berlin, HAW Hamburg, and Carl von Ossietzky University Oldenburg, and substituted for Prof. Dr. Linda Hentschel at the Mainz Academy of Fine Arts. In 2023, she completed her doctoral thesis on the aesthetic-political dimension of fakes and forgeries. Her current research focuses on landscapes and gardens in National Socialism and practices of wild commemoration. 

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Published

21/12/2025

How to Cite

Nastold, F., & Jungen, T. (2025). Ambivalences of Care/Curare: Solidarity Networks and Curatorial Practices as a Form of Collective Resistance. Acta Academiae Artium Vilnensis, (118), 78–97. https://doi.org/10.37522/aaav.118.2025.312