Looking for a Third Way: Non-Aligned Politics of Art
Acta Academiae Artium Vilnensis
DOI:
https://doi.org/10.37522/aaav.117.2025.301Keywords:
Non-Aligned Movement (NAM), structural nostalgia vs. decolonial potential, art geographies, non-aligned artAbstract
The text explores art practices and cultural politics that evolved within the framework of the Non-Aligned Movement (NAM), examining their contemporary relevance in art and curatorial research projects in the post-Yugoslav context. By reviewing instances of non-aligned art from pan-African, pan-Arab, Latin American, and Yugoslav perspectives, it traces their foundational concepts that continue to inform present-day exhibitions, artworks, and politically engaged discourses. These concepts are often approached dialectically, through a decolonial lens, within today’s global landscape of diverse positions and power dynamics. Drawing on feminist, materialist, and decolonial perspectives to explore the artistic geographies of this historical movement, the text highlights certain paradigmatic cases that reveal both the decolonial potential and the inherent structural nostalgia associated with the historical concept of a non-aligned world.
