Art Academy of Latvia Graphic Arts Alumnae Who Established the Principles of Latvian National Textile Art, 1931–1943

Acta Academiae Artium Vilnensis

Authors

DOI:

https://doi.org/10.37522/aaav.112.2024.206

Keywords:

art education, interior textiles, female artists, popular art, forgotten female artists, art in the 1920s–1940s

Abstract

In the 1920s and 1930s, Latvian magazines featured original textile compositions by renowned male artists. Through my research of textile compositions of the famous Latvian artist and designer Jūlijs Madernieks, it became apparent that during this period, Latvian magazines also showcased textiles by lesser-known artists, particularly graduates of the Graphic Arts Workshop of the Art Academy of Latvia. Despite the significant role played by graphic artists in the formation and promotion of Latvian national textile art, their contributions remain largely unexplored. This research focuses on the popular women’s magazine Zeltene, which presented numerous original textile designs by Elza Druja, Marija Muceniece, Otomija Freiberga, and Kristine Pāvulina. Another focal point of this study is the state of textile crafts education in the third decade of the 20th century and its role in encouraging women to engage in textile art or crafts. The contributions of women to Latvian textile art during the 1920s and 1930s have not received adequate scholarly attention due to the occupation of Latvia by the Soviet Union and Nazi Germany in the 1940s, as well as subsequent constraints imposed on Latvian art historians by the Soviet regime. This paper marks an initial stage in the development of Latvian textile art history, with a particular emphasis on female textile artists.

Author Biography

Inese Sirica, Art Academy of Latvia, Riga, Latvia

is a Doctor of Arts, Head of the Department of Art Science of the Art Academy of Latvia, Associate Professor (the author of the following courses: History of Latvian Ethnography, History of Applied Arts and Design; History of Textiles; Creative and Academic Writing), and art researcher. Since 2022, the Latvian Council of Sciences expert in Latvian art history, folk art (ethnology), craft and design history. The author of the monograph Painted Decorations on Latvian Dowry Chests and Wardrobes: Late 18th – Early 20th Century (2020), as well as the author of many art research papers and editor of scientific monographs. Currently, her research focuses on 20th-century applied art and design in Latvia in the discourse of feminism, colonialism, and a theory of a new materiality. The leader of the following groups of scientific projects: 1) State Research Programme “Latvian Cultural Capital” (CARD), where the ethnic (in ideas, forms, historiography) in Latvian art is to be analysed (2020–2022); 2) (2023–2026) Fundamental and Applied Research “Ethnographer, Society and Art: Symbiosis of Ethnology, Art and the Discourse of Soviet Colonialism in Latvia” (2024– 2026). 

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Published

09/01/2024

How to Cite

Sirica, I. (2024). Art Academy of Latvia Graphic Arts Alumnae Who Established the Principles of Latvian National Textile Art, 1931–1943: Acta Academiae Artium Vilnensis. Acta Academiae Artium Vilnensis, (112), 314–349. https://doi.org/10.37522/aaav.112.2024.206